We spent the day finalising the project before mixing, ensuring that we had a completely full atmosphere track, as well as all the foley sound that were needed. We also fully arranged  each component of the audio into separate tracks, fully colour coded them and created any sends to reverb/delay plugins on bus channels. The full project was now presented looking clean and easy to work with, as to reduce time in the mixing stage.

We also spent today sourcing most of the music for the film, which all had to be royalty free or free to use. We searched many websites containing music licensed under the Creative Commons system, which gave us a huge selection as long as we correctly attributed the creator. All the music we found had to be very fitting with the scenes, and so we used jazz/lounge music for the restaurant and cafes scenes as background music. To portray emotion, we carefully selected piano music along with some music from a friend which was very fitting. Making the music sit well in the mix was hard work, and required a lot of careful mixing, but eventually worked well, which I believe is evident in the film.